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Pictorial effect in photography : being hints on composition and chiaroscuro for photographers, to which is added a chapter on combination printing (1869)

Robinson, H. P. (Henry Peach), 1830-1901 · London : Piper & Carter · leaf 142

An illustration from Pictorial effect in photography : being hints on composition and chiaroscuro for photographers, to which is added a chapter on combination printing, 1869, leaf 142
dark, as Rembrandt did, Turner understood and exemplified in many of his best works the extreme value of small masses of dark set in a border of light, but never unsupported by other spots of dark. This was often obtained by rearing a dark tree against a light sky, balanced by dark figures in the… … Fig. 3. of the many pictures painted by Turner that shows the principle clearly. This was one of the pictures so treasured up by the artist, in order that he might leave them to the nation, that no money could buy them. The subject is composed of a bold sweep of landscape, to the left of which rise…

Composition (Photography)

Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.

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