Uber den Meister des Emmausbildes in San Salvatore zu Venedig
This German art-historical monograph by Gertrud Kantorowicz was printed in Neu-Ruppin in 1903 and studies a painting of the Supper at Emmaus in San Salvatore, Venice, likely for art historians and scholars of Carpaccio. The single plate is a reproduction of a Renaissance altarpiece showing a long table with seated figures in a warm interior, rotated on the page; a designer might take its dense grouping of figures and its dramatic side-lit space as compositional reference.
