History of modern Italian art
A survey of Italian art from the late eighteenth century onward, published in London and New York in 1898 by Longmans, Green and Co. and written by the American art historian Ashton Rollins Willard for general readers and students of art history. Its plates are black-and-white halftone photographs of sculpture and painting, including a reclining marble Pietà, a seated Madonna and Child, a tondo of putti and a mother with a child, and a papal tomb effigy by Canova, captioned with sitter names and sources.
